![]() |
||
![]() |
![]() |
|
“ No-one is knocking on the door harder than Jo Mango...Original melodically andlyrically, entertaining in
musicality and instrumentation, and more than talented enough to be on a bigger stage this time next year.”
- The Fly
“ Acoustic Fairytales”
- Subcity Radio
“ New Scottish talent... left me smiling!”
- Sunday Mail
Jo Mango began her love affair with live music at the age of 16 in venues around Aberdeen where she honed her performing talents in an energetic young rockband named the Mangomen.
In 1999 however, Jo branched out on the limb of her own song-writing abilities. She was soon spotted by the ubiquitous Dane Stewart, now owner of Agony Acres Records, playing tunes on a squeaky old squeezebox she found in a cupboard. Under Dane's watchful eye, Jo’s talent for writing quirky and beautiful lyrics quickly began to emerge.
Later that year came her move to Glasgow, home of many like-minded and eccentric individuals. Here, whilst studying music, Jo forged her own distinctive style, learning to utilise a wide range of strange instruments and taking in many influences - from jazz - playing in the National Youth Jazz Orchestra under the directorship of Nikki Yeoh (pianist with Courtney Pine and the Buena Vista Social Club) - to folk - and her discipleship with a veteran of the band The Old Blind Dogs.
After her graduation in 2003 Jo was offered demo deals with both Island Records and Polydor’s subsidiary Fiction (recent signing Snow Patrol) . She continues on in her independence however, stubbornly original, and her first self-release (The Antidote EP) has gained great reviews. Her (Scottish Arts Council aided) debut album is now in the can and due for release early next year.
Live shows continue to gain momentum - Jo was on the bill with the Trash Can Sinatras, the Delgados and Aereogramme at their sell-out 'Showcase Scotland' series at Celtic Connections in January and after hours, she silenced the crowd at the Festival Club with the likes of John McCusker and Boo Hewerdine waiting in the wings. Her recent appearance at T-In-The-Park wowed the press and sunburnt public alike. She has also recently played alongside the wide-ranging likes of Alisdair Roberts, Eddi Reader, Malcolm Middleton of Arab Strap, Ballboy, Eugene Kelly, Mark Owen and duetted with Willy Vlauntin of Uncut magazine's much vaunted band, Richmond Fontaine, during their European tour.
Jo's twisted take on life was also demonstrated earlier this year when she co-wrote and performed songs to accompany a Scottish Television documentary about Glasgow's bin men!
What sound could combine all these influences? From folk to raucous rock to jazz to bin men? The description most often used is 'captivating'. Jo's sound is the combination of delicate sweet tunes and quirky, intelligent lyrics arranged with a wide array of strange instruments.
Find out about the rest of the band below:
![]() |
![]() |
![]() |
![]() |

![]() |
![]() |
![]() |
![]() |

aka: Squid Boy Jim
position: Bass player / backing singer / victim of band ridicule
Jim was womb-mates with Jo for the first nine months of his life. Having survived that, he was well equipped for anything life could throw at him post-foetus.
He began playing the bass aged 9, taking lessons to stave off boredom at boarding school. Progressing so quickly, Jim played at Meadowbank Stadium at the tender age of 13.
Like so many others, Jim found his rock roots at age 14 in a high school band. Soon after, he formed “The Mangomen” with best friend Donald, enlisting school chum Calum as drummer and sis Jo (as a last resort!) as singer.
The story of the name of the band is - according to Jim (!) - as follows: Donald lived in Jamaica until the age of seven. Just before he left to come to Britain, there was a horrific accident in his neighbourhood involving the workers who deliver mangos to homes and various establishments. A mangofloat had crashed, killing and terribly injuring a number of them. The name therefore came as a heartfelt tribute to those mangomen who died.
Jim headed to Oxford Brookes University a year later to study Automotive Engineering - thus the end of the Mangomen.
In 2001 he decided that Formula One Racing was far less glamorous than sound engineering and moved to Glasgow to study, thus being re-united with both Jo and his musical passions.
Before one of his early gigs with Jo, Jim famously dreamt that someone had emptied a container of squid over him as he slept. So real was this dream that he jumped up and went to get a bag to put the squid in. He awoke to find himself at four o'clock n the morning standing over his bed, all his clothes on back-to-front, a trail of bin liners leading from him to the kitchen.
Along with Alan and Calum, Jim is also one quarter of the rockin' Glasgow band ‘El Dog’.
[ back to top ]
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
aka: Simon Fullarton
position: guitarist / tiny piano player
Simon began learning piano and violin at primary school and taught himself the guitar (under secret cover from the violin/piano purists!) whist in his early teens.
At that time he played in several bands around the Kilmarnock scene (which was later to produce the likes of Biffy Clyro).
Simon joined folk-rock band ’The Honeythieves‘ in 1999 with whom he toured extensively, the highlight of which was a festival performance to large crowds in Rostock, Germany. (We think it was primarily this German influence which led to his ‘moment of madness’ when -live on radio -being interviewed as part of the Jo Mango band, he uttered the immortal words “I'm a Bavarian smoked man’.)
By this point Simon was living in Glasgow, studying Applied Music at Strathclyde University. Here he met Calum (quiet, continual hat-wearing drummer in the year below) and Katherine (floaty flute player).
The first time he heard Jo’s music was as sound engineer for one of her earliest solo acoustic gigs. They then met as Jo honked away at bassoon parts in the University orchestra.
[ back to top ]
![]() |
![]() |
![]() |
![]() |

![]() |
![]() |
![]() |
![]() |

aka: katherine waumsley
position: Flautist / Harpist / the phantom bum-grabber of the band
Katherine woke up one morning chanting out loud the phrase - which she felt she urgently needed to remember - “Three cheers for the marvellous Jo and her wonderful show... three cheers for the marvellous Jo and her wonderful show!“
Ho hum.
Kath studied flute, piano and clarsach (Scottish harp) through her teenage years.
She moved to Glasgow in 1999 to study Applied Music at Strathclyde University with flute as first instrument. She later specialised in composition and community music.
She met Jo at Strathclyde University through Calum and began playing flute for her in 2001 after Jo (also a flute player) felt the need to write some parts. She acquired her harp (made by Archival Harps) very recently as part of her burgeoning crazy-musical-instrument collection.
‘The Waums’ currently studies and performs Indonseian music with Glasgow Gamelan group (Naga Mas) and works as a community musician (and covert cleaner) around the Glasgow area.
[ back to top ]
![]() |
![]() |
![]() |
![]() |

aka: squeezebox / concertina
age: 38
An inscription atop Trusty's tattered hexagonal box belies that Trusty was originally purchased as a gift from Jo's grandma to her father (Jo's great grandfather) on one of his latter birthdays. Pops had always wanted an accordion. Sadly, Trusty, being a concertina, did not live up to the grand expectations placed upon him and he was hardly (if ever) played.
Thus he found himself many years later, dusty and unused at the back of a cupboard in the Mango household. One day Jo, with a mind to write some sort of quirky composition, was rooting through the aforementioned cupboard looking for an old Casio keyboard. Her eyes met with Trusty's across the clutter and the rest is history!
He now accompanies her everywhere she plays and remains in fairly good health despite a brief period of reed crisis several years ago.
(His cousin Leonard Skynard is a younger, more hardy instrument who is occasinally spotted at gigs when Trusty doesn't feel up to it.)
[ back to top ]
![]() |
![]() |
![]() |
![]() |